The ideas or subjects are an integral part of the work through the use of handwriting. The use of lines and
flourishes and occasional colouring is used to deface the subject and obsessively objectify the image. Thereby,
the development of the idea or subject is subverted by ignoring its significance or meaning and be reduced to a
meaningless drawing. The term Intellectual Cartography was coined by Michelle Casciaro, my mentor in matters
of language, among other things.